The main part of the structure was determined by Top and bottom that it can swing forward like a gate. Main vertical iron, the backbone of the whole concern, is so held at Lowering the hook that holds the pot or kettle. Itself one to swing forward and back, and the other for raising or The height of the pot adjusted by a short hanger at any point along theīar, and the other in which there are two movements of the crane The horizontal bar was simply supported by a diagonal stay and Some contrivance for meeting this alternative wasīy the chimney crane or pot crane this was of two forms, one in which One point or another of its area might be the more convenient place for The fire was large and wide spread so that In farms and the better class of houses something more than the Two Cranes, one from Pembrokeshire, the other from Glamorganshire. Through, showing a silhouette of the smith at work, with With elaborate scroll work and the lower part is pierced The loop that catches in the ratchet is decorated Of a highly ornamented hanger is in the Victoria and Albert Ratchet with the upright bar (see "A" below). Of the end of the iron that connected the upper part of the Hangers have an ornament at the top, usually a fleur-de-lys, or it might be a kind of lance head, or only a close curl Hazel rope, hung over the fire (at right). Was the wooden "crochan," by which the pot, slung from above by a High or low, according to the liveliness of the fire or theĭegree of heat required for the cooking. Knob, from which hung the hook that caught one of the The lowest end of the upright had either a closed loop or a Sheet-iron ratchet attachment looking like a coarse saw. The curved top end of the hanger, an iron bar with a flat Of oak, or preferably, of chestnut in section higher than Stretching across, the ends let into the masonry. ![]() It could either stand in the hotĪshes on its three short legs or hang by the swinging handle, the chimney was the wooden chimney bar, In the simplest cottages the usual cooking utensil was the Parings of peaty soils containing tufts of heath and gorse. Places, there was no true peat for the alternative fuel. It was equally suitable where, in some remote moorland The wide "down" hearth was commonly used both for cookingĪnd warming. WHEN wood was the only fuel, except peat, in country districts, Our offerings include everything from sculptural bathroom fixtures to flooring ideas to pedestals and columns designed in a variety of styles and much more. On 1stDibs, find a sprawling collection of antique garden furniture and architectural elements that meet every need. ![]() When paired with a sparse arrangement of other tasteful additions, such as a stone planter, garden stool or other welcoming pieces of outdoor seating, the effect can be transformative. Instead, they’ll draw attention to your painstakingly sculpted hedges and colorful flora. Wrought-iron garden gates will simply refuse to be relegated to the background. Where the garden is concerned, any sophisticated garden ornaments you select should work with nature, not against it. And as one good stylistic choice usually leads to another, pairing your sophisticated treads with a coupling of 19th-century hand-forged andirons would be a thoughtful, durable touch for any courtyard or comfortable lounge space, be they intended for an indoor fireplace or a patio firepit. While lending an attractive appearance to an exterior staircase, these safeguards render the steps slip-resistant for those coming and going. Victorian cast-iron stair treads hearken back to a time when adding decorative details to your property was a priority. It helps when design changes like these have a practical upside too. Elsewhere, find a focal point in your living room and create a “feature wall” by bringing pops of color into a corner with handmade antique ceramic tiles. To introduce a sense of timelessness to a back patio or interior common area, choose cast-stone statues or sculptural busts for a dose of drama or select ornate architectural elements such as corbels, plaques or panels made of marble or iron. It takes time and effort to improve your outdoor space or merely to bring an air of tranquility to an indoor area set aside for private relaxation or gathering with friends. Choosing the right antique or vintage building and garden elements can prove pivotal when you’re working to beautify any room in your home or just put the finishing touches on a garden or other outdoor area.
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